A Better ManNovember 23, 2017
On November 23rd, two days before the 16 Days of Activism Against Gender-Based Violence begins (on November 25th), join Reel Causes for the Vancouver Premiere of the NFB’s gripping documentary A Better Man.
window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); var referrer = document.referrer || null; gtag('config', 'UA-134421541-1', {'page_referrer':referrer}); gtag('config', 'AW-881718564'); (function(w,d,s,l,i){w[l]=w[l]||[];w[l].push({'gtm.start': new Date().getTime(),event:'gtm.js'});var f=d.getElementsByTagName(s)[0], j=d.createElement(s),dl=l!='dataLayer'?'&l='+l:'';j.async=true;j.src= 'https://www.googletagmanager.com/gtm.js?id='+i+dl;f.parentNode.insertBefore(j,f); })(window,document,'script','dataLayer','GTM-N95GH54'); gtag('event', 'conversion', { 'send_to': 'AW-881718564/AgGICPbV8rABEKTqt6QD', 'transaction_id': '' });
On November 23rd, two days before the 16 Days of Activism Against Gender-Based Violence begins (on November 25th), join Reel Causes for the Vancouver Premiere of the NFB’s gripping documentary A Better Man.
Reel Causes is thrilled to host the second annual Common Threads event, a program of locally-made short films.
We will watch the National Film Board of Canada documentary musical The Road Forward from Métis/Dene playwright and director Marie Clements.
In How to Let Go of the World and Love All The Things Climate Can’t Change, Oscar-nominated director Josh Fox (Gasland) continues in his deeply personal style, investigating climate change – the greatest threat our world has ever known.
In How to Let Go of the World and Love All The Things Climate Can’t Change, Oscar-nominated director Josh Fox (Gasland) continues in his deeply personal style, investigating climate change – the greatest threat our world has ever known.
In the wake of the 1998 Hurricane Mitch, thousands of people were temporarily located to live on the margins of the city of Chinandega, Nicaragua in what is locally known as the ‘circle of death,’ living between the dump, a cemetery and a sewerage plant.